Jason’s Artist Bio

Jason Hanson is a visual artist exploring the liminal space between perceived reality and imagined space using painting, social media, and storytelling. 

It took nearly dying in a motorcycle accident to get art school drop-out Jason Hanson to paint again. After regaining the ability to walk and most of the function in their hands, they found themself in an empty St. Louis art studio after quitting a 20-year career in tech. They knew they had to get the dreams they were having at night onto canvas before they consumed them. 

Jason’s work explores the liminal space between the dream world and waking life. Every time they translate a scene from dreams into life, it contains a message for someone meant to find it. Pushing the societal boundaries that condition and bind us, Jason invites us to accept our whole selves by lifting up the people - the parts of us - that we reject, deny, and hide from one another.

Jason’s edge as an artist is always to surrender more. The more they surrender to be used by source, the more messages from source flow through them.

Jason’s Artist Statement

Elevator Pitch Version

Artists are given artistic license for a reason; people long to see the beauty they know in them but are hidden by the lies we tell ourselves about who we are supposed to be. As an artist, I focus the light of my attention on the beauty in sex, sex work, kink, trans people, and artists who are pushed to the fringes of our society.

Short Version

As an artist, I sense people. I live my life in a manner that allows me to connect with source. Some call it creativity. Some call it the universe. Some call it the divine. I just call it source.

When I live my life connected to source, I can sense people. I sense the beauty, joy, hurt, and pain they feel. I also sense the gap between who people are and who they think they are. I also sense the gap between who people are and who they reveal to the world around them. My work fits directly into that gap.

When I paint an individual's portrait, I see them, and I paint the version of them that I see. We all know that every person sees a different version of us. We see a different version of ourselves too. Few people get the gift in their lifetime of knowing exactly how another person sees them. My dual genius powers of painting and holding space allow me to bring physical form to what I see in another person. 

My work focuses on making the unseen seen. Not only seen but celebrated.

Long Version

My art is about shining light where our society typically doesn't shine a light. In 2023, in the United States, there are certain people who are lifted up and certain people who are pushed to the fringes. Attributes of someone's identity such as sex, gender, race, ethnicity, profession, sexual orientation, and ability status are contributors to the hierarchy of who is represented and who is not. The hierarchy is invisible to those at the top and life-crushing at the bottom.

There is a story that we all tell each other about who we collectively are, and then there is actual reality. One of my superpowers is feeling in my body when the story we're all believing is out of congruence with the lived reality of people. I feel pain in my body when I sense into the gap.

A personal area of my life that intersects where the dominant narrative pushes people to the edges is sex, sex work, kink, and more than binary gender of sex assigned at birth. At times my sex life is kinky, my lovers not cishet, my coaching blending the edge of sex work, and my gender more fluid than fixed.

There are those among us who are pushed to the edges because someone, somewhere, at some time, made a decision to amass power by "othering" people. In the United States, sex workers have particularly been "othered." 

When thinking about sex work, some practices are accepted into mainstream society and even paid for by health insurance, while others are villanized. Examples of these include licensed sex therapists and pelvic floor physical therapists. Conversely, other sex workers such as escorts, dominatrices, sex surrogates, exotic dancers, and even some massage therapists are cast as outsiders. The data on life-changing positive health outcomes from sex work is so terrifying to the status-quo that in the United States, we don't even collect the data to prevent conversations about it. This intersects with the fear of women having agency, money, and power.

The key differentiator between the two groups is pleasure. Someone some time ago, probably a man, probably a white man, probably a Christian, decided that the body feeling pleasure was wrong. Those who gave others pleasure were cast as "sinful", and punished, killed, or ostracized.

What activates my artist is that just as much "acceptable" sex work is happening as "reprehensible" sex work. All of the above still happens every day. People find just as much healing from professional dominatrixes as from licensed therapists. People have sex every day. More people than you probably know have some amount of kink or roleplay in their sexual relationships. You've probably even spanked or been spanked by someone in the bedroom! 

And that's not what we see in mainstream media. We see something else. Something that is a lie.

My work is about exposing that lie. My work is about lifting up those parts of us that we hide from others. My work is about lifting up those people that we pretend don't exist. It's about normalizing you. Who you are, what you do, your invisible desires, your hidden kinks. They are not wrong.

As an artist, who is a widowed, White, middle-aged, attractive, educated, accomplished, and affluent, I find myself in a position where I can speak truth to power about sex, gender, and kink with few life-destroying consequences. This is a message that needs sharing, and I am the one to do it.

Jason’s Artist CV

314-898-6430 | jason@jasonhanson.com | www.jasonhanson.art

EXHIBITION HISTORY

Solos Shows

2023 – The Art House, “Portraits of Community: One-word Stories”, Whakatāne, NZ

2023 – 2222 Studios, “New Zealand Farewell Open House”, St. Louis, MO, USA

2022 – Mad Art Gallery, “DreamCraft”, St. Louis, MO, USA

2022 – Rootbound, “Color Up”, St. Charles, MO, USA

Group Shows

2024 - Urban Arts Gallery, “SLC Queer”, Salt Lake City, UT, USA

2023 – The Gallery at the Library - Hermann Branch of Scenic Regional Library, “Portraiture”, Hermann, MO, USA

2023 – Urban Arts Gallery, “SLC Queer”, Salt Lake City, UT, USA

2023 – Casa Loma Ballroom, “Show-Me Burlesque & Vaudeville Festival”, St. Louis, MO, USA

2023 – Saint Louis Artists’ Guild, “It Was All Very Queer II”, St. Louis, MO, USA

2023 – Saint Louis Artists’ Guild, “Beyond Belief”, St. Louis, MO, USA

2023 – Soulard Art Gallery, “Attractive Energy”, St. Louis, MO, USA

2023 – Koken Art Factory, “Naughti Gras 16”, St. Louis, MO, USA

2023 – Art Saint Louis, “Personal History”, St. Louis, MO, USA

2022 – Casa Loma Ballroom, “Lola van Ella's: Spectaculaire! A Solid Gold NYE", St. Louis, MO, USA

2022 – Print Bazaar on Cherokee St, St. Louis, MO, USA

2022 – Block Party at 2222 Studios - Mural Unveiling

2022 – South Side Spaces, "Mural Unveiling and Block Party at 2222 Studios", St. Louis, MO, USA 

2022 – Third Degree Glass Factory, “Wall Ball”, St. Louis, MO, USA

2022 – Angad Art’s Hotel, “6th Biannual Exhibition”, St. Louis, MO USA

2022 – Koken Art Factory, “Naughti Gras 15”, St. Louis, MO USA

2022 – St. Louis Artists’ Guild, “New Perspectives in Drawing and Painting”, Clayton, MO, USA

2021 – Koken Art Factory, “Naughti Gras 14”, St. Louis, MO USA

2021 – Luminary, “Tinsel”, St. Louis, MO USA

COLLECTIONS

University of Wisconsin Health, Eastpark Medical Center

INVITED LECTURES AND PRESENTATIONS

“At the Intersection: Art, Sex, and AI with Jason Hanson”, Good Tech Fest, Sundance, UT, May 2, 2024

SELECTED PUBLICATIONS

“Meet Jason Hanson”, Canvas Rebel, July 9, 2023

“Faces of a Community,” The Beacon, Whakatāne, Aotearoa New Zealand, April 21, 2023

“Meet Jason Hanson,” Voyage Utah, December 7, 2022

EDUCATION

Florissant Valley Community College, Associate in Fine Art, 1997

School of the Art Institute of Chicago, No Degree, 1998

School of the Museum of Fine Art, Boston, No Degree, 1999

SOCIAL MEDIA
Instagram: @jasonhansonart
Facebook: @jasonhansonart
TikTok: @jasonhansonart
Twitter: @jasonhansonart
YouTube: @jasonhansonart